Adele bertei - little lives


When Eno recorded No New York , some of the sessions were done without much of the stylized production he was known for on other artists' albums. [2] James Chance stated that the Contortions tracks were "done totally live in the studio, no separation between the instruments, no overdubs, just like a document." [2] In 1979 Eno stated in his now famous lecture, "The Studio as Compositional Tool", that, "On 'Helen Thormdale' [ sic ] from the No New York album, I put an echo on the guitar part's click, and used that to trigger the compression on the whole track, so it sounds like helicopter blades." [3]



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